God’s Own Country and BPM are two of the year’s best movies, queer or otherwise.
Michael sang at my wedding, but he wasn’t actually there.
I can’t remember the first time I saw one of the drawings by Touko Laaksonen, better known as Tom of Finland. It’s as if they were already in my head, iconic of gayness and man-ness, when I came out in 1992. I’d been titillated by some of the drawings of…
After Roland Emmerich’s Stonewall was rightly lambasted two years ago for focusing its story on a fictional middle-class white boy, I expressed hope that the film that would eventually become The Death and Life of Marsha P. Johnson would help correct the record. I think it does, becoming an essential document for our collective queer history.
It is likely that if you are reading this, you were either bullied in high school for not conforming to conservative gender roles or you consciously conformed to such roles so that you wouldn’t be bullied in high school. You may have gone the extra mile and bullied other kids…
Then comes Logan, the third Wolverine film, ninth appearance of the character on the big screen, and Hugh Jackman’s last time playing the role. Logan is not only one of the best X-Men films – if not the best – but it’s also the best representation of the Wolverine character in all its messy, bloody, thrilling glory.