Recommended

Sylvia Rivera and Marsha P. Johnson
An essential document for our collective queer history

After Roland Emmerich’s Stonewall was rightly lambasted two years ago for focusing its story on a fictional middle-class white boy, I expressed hope that the film that would eventually become The Death and Life of Marsha P. Johnson would help correct the record. I think it does, becoming an essential document for our collective queer history.

Battle of the Sexes
The match that became a circus

When I was coming out and learning about the various LGBT people who came before me, one of the images I saw repeated the most was the last shot of the absurdist tennis match called the Battle of the Sexes, when then-closeted Billie Jean King backhanded the ball past chauvinist…

Wind River
A modern western thriller with a conscience

Taylor Sheridan writes modern western thrillers with something like consciences. In Sicario, drug war on the U..S Mexico border corrupted the best of intentions. One of last year’s Best Picture nominees Hell and High Water was about two brothers who robbed a scurrilous bank that had cheated their mother out…

Zoe Kazan and Kumail Nanjiani in The Big Sick
A romantic comedy that’s both fresh and familiar

Kumail meets Emily when she sort-of-heckles his standup comedy performance that is centered on his immigration experience. He asks if anyone else is from Pakistan, and Emily, a young blonde woman from North Carolina, woops in response. He joshingly admonishes her, she wittily snaps back, and he hits on her…

Beatriz at Dinner
A most salient portrait of evil

When Miguel Arteta and Mike White started filming Beatriz at Dinner last August, I doubt they could have predicted how salient the film would be when it was released ten months later. The biting, mostly comic commentary on class, race and manners is particularly unsettling because Trump won, because what…

Gal Gadot in Wonder Woman
Finally, ‘Wonder Woman’ is here

Thankfully, they didn’t screw it up at all. Instead, under the direction of Patty Jenkins, Wonder Woman is the studio’s best superhero film since 2005’s The Dark Knight, perfectly cast, funny, exciting and surprisingly moving.

Michael Fassbender in Alien: Covenant
Stomach-bursting, face-sucking Fassbender fabulousness

Alien: Covenant is the eighth movie in the 38-year-old sci-fi horror Alien franchise. Following 2012’s Prometheus, the financially successful but fan-loathed prequel, Covenant tries to walk a fine line: The film throws enough red meat to ravenous Alien fanboys with stomach-bursting, face-sucking, don’t-go-in-the-basement grotesquery to get away with continuing Prometheus’…

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