Recommended

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Do we really want to go back?

Trainspotting is the great film of the 1990s counterculture, its decade’s Easy Rider or Rebel Without a Cause. The tone poem about heroin addiction, friendship and the idiocy of youth among the Scottish working class arrived in the United States in the summer of 1996 laden by the weight of…

Emily Skeggs as Roma Guy in When We Rise
Laugh, cry, furious, proud

  When I heard that ABC was going to do an eight-hour miniseries about the gay rights movement – a sort of Roots for the gays – I was shocked. Dustin Lance Black, who won an Oscar for writing Milk, was shocked, too, when he found out ABC was asking…

Dafne Keen and Hugh Jackman in Logan
In all its messy, bloody, thrilling glory

Then comes Logan, the third Wolverine film, ninth appearance of the character on the big screen, and Hugh Jackman’s last time playing the role. Logan is not only one of the best X-Men films – if not the best – but it’s also the best representation of the Wolverine character in all its messy, bloody, thrilling glory.

Taraneh Alidoosti and Shahab Hosseini in The Salesman
The art and irony of The Salesman

Outside of cinephiles who have seen his Oscar-winning A Separation, Asghar Farhadi is not well known among Americans. But his name was thrust into the news over the last few weeks because of President Trump’s executive order banning travel of most anyone, but particularly Muslims, from seven majority Muslim countries….

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Please watch me

In October, the little watched cable channel Pivot shut down. Few people noticed, and even though this is the sort of thing I do notice, I didn’t find out until one of its shows, the Australian import Please Like Me, debuted its new season on Hulu. At first I was…

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A masterpiece of the genre

A few months ago, an acquaintance dismissed an entire swath of acclaimed American films as “sad white people movies.” In the sense that they are about various Caucasians who aren’t happy, sometimes for existential reasons and often for tragic ones; movies like In the Bedroom, The Savages, or Sideways are,…

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SNL’s Chris Kelly makes a remarkable directorial debut

The odd distribution plan for the exceptional Other People says a great deal about how film has changed with the advent of streaming services, especially in regards to independent film. In the past, movies with tiny budgets and niche audiences (especially gay ones) could only be found in art houses…

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